6 EC
Semester 2, periode 4
5102EVTM6Y
Eigenaar | Bachelor Psychobiologie |
Coördinator | dr. Jelle Zuidema |
Onderdeel van | Bachelor Psychobiologie, jaar 3 |
Most animals produce sounds and communicate, but only humans have music and language. Why do children learn natural language spontaneously and reliably, while other animals fail at even the most basic language tasks? What allows humans to appreciate complex rhythms and melodies, predict from a few notes how a tune will continue, and why has music such profound effects and human emotion? Why do the differences between humans and other animals seem so profound at the level of the music and language system, while we see so many commonalities at the level of perception, pattern recognition and brain functions? In this course we survey different theories of the origins of music and language. We discuss evidence for and against these theories from a variety of sources, including from the archeological record, linguistic theory, behavioral biology and human and animal genetics. We focus on recent developments in these field. One such development is a massive effort to gather data on vocal imitation learning in a variety of species, allowing a reconstruction of the evolutionary origins of this ability in birds and mammals. A second development is a series of computational models and experiments revealing a role for cultural evolution in the evolution of language and music. A third is the discovery of the FoxP2-gene, its supposed role in language and speech, and the variants of this gene in the Neanderthal and songbird genome.
Books
1. Tecumseh Fitch, The Evolution of Language
(2010)
2. Henkjan Honing (2013). Musical Cognition.
A Science of Listening. Transaction
Articles
1. Willem Zuidema (2013), Language in Nature:
on the evolutionary origin of a cultural
phenomenon. ILLC Preprint Series, UvA
http://www.illc.uva.nl/Research/Publicatio
ns/Reports/PP-2012-13.text.pdf
2. Honing, H., & Ploeger, A. (2012). Cognition
and the Evolution of Music: Pitfalls and
Prospects. Topics in Cognitive Science, 4,
513-524. doi: 10.1111/j.1756-
8765.2012.01210.x
3. Honing, H. , ten Cate, C., Peretz, I., & Trehub,
S. (2015). Without it no music: Cognition,
biology, and evolution of musicality.
Philosophical Transactions of the Royal
Society B: Biological Sciences, 370 (1664).
doi: 10.1098/rstb.2014.0088
4. Savage, P. E., Brown, S., Sakai, E., & Currie,
T. E. (2015). Statistical universals reveal
the structures and functions of human
music. Proceedings of the National
Academy of Sciences, 112(29), 8987–8992.
doi:10.1073/pnas.1414495112 &
Supporting Information (pp. 1-16).
5. Gingras, B., Honing, H. , Peretz, I., Trainor,
L., & Fisher, S. (2015). Defining the
biological bases of individual differences in
musicality. Philosophical Transactions of
the Royal Society B: Biological Sciences,
370 (1664). doi: 10.1098/rstb.2014.0092
6. Patel, A. P., & Demorest, S. (2013).
Comparative music cognition: crossspecies
and cross-cultural studies, In D.
Deutsch (Ed.), The Psychology of Music
(third ed.), Academic Press/Elsevier,
London, pp. 647–681. doi:10.1016/B978-0-
12-381460-9.00016-X
Being able to describe the key properties of language and music, the key differences between the abilities of humans and non-human abilities underlying language and music, and the main theories about their evolution. Being able to analyze data from language and music research relevant to these questions, and to perform computational analysis of such data (e.g., phylogenetic tree reconstruction) using existing software (e.g., R)
The course will consists of lectures, tutorials and 3-6 computer labs.
In the final week of the course a mini-conference takes place where all students present a small literature study. To prepare for this presentation, each student hands in a first version of an extended abstract of their talk in week 4, commentaries on the extended abstracts of three fellow students in week 5 (peer review), and a revised final version of the extended abstract in week 6.
Attendance of the tutorials, computer labs and mini-conference is compulsory.
Activiteit |
Aantal uur |
Computerpracticum |
10 |
Hoorcollege |
30 |
Presentatie |
8 |
Tentamen |
3 |
Werkcollege |
12 |
Zelfstudie |
105 |
Totaal 28 * 6 EC |
168 |
Aanwezigheidseisen opleiding (OER-B):
Aanvullende eisen voor dit vak:
Aanvullende eisen voor dit vak:
Attending at least 80% of all meetings is essential. Failure to meet this requirement leads to the grade 'NAV'.
Onderdeel en weging | Details |
Eindcijfer | |
0.6 (60%) Tentamen | |
0.4 (40%) Presentatie |
Handing in the two versions of the abstract and the two peer reviews on time. Failure to meet this requirement leads to the grade 'NAV'.
In week 7, students present the results of a small individual literature study on a topic of their own choice. The presentation is graded on a 10-point scale, and counts for 40% of the final grade. In preparation of the presentation, students submit in week 4 a first version of an extended abstract of their talk.
In week 5, each student submits 2 peer reviews on 2 abstracts of fellow students.
In week 6, students submit a revised version of the abstract, incorporating the comments received. Both versions of the abstract and the peer reviews are graded on a pass/fail basis.
In week 8, there is an exam assessing all lectures, labs, tutorials and students presentations, based largely on the computer lab exercises and reading questions (in particular, those marked with an *). It is graded on a 10-point scale, and counts for 60% of the final grade.
Onderstaande opdrachten komen aan bod in deze cursus:
Dit vak hanteert de algemene 'Fraude- en plagiaatregeling' van de UvA. Hier wordt nauwkeurig op gecontroleerd. Bij verdenking van fraude of plagiaat wordt de examencommissie van de opleiding ingeschakeld. Zie de Fraude- en plagiaatregeling van de UvA: www.uva.nl/plagiaat
Weeknummer | Onderwerpen | Studiestof |
1 |
Lecture 1a (Zuidema): General introduction: evolution of language & music Computer lab: Bioacoustics Tutor-groups Lecture 1b (Zuidema): Evolutionary |
Literature: Mechanisms of Evolution & the |
2 |
Lecture 2a (Zuidema): Human origins, linguistic diversity Computer lab: Simulated Evolution & Evolution of Communication Tutor-groups Lecture 2b (Honing): Oorsprong van muziek |
Literature: Human Origins (Fitch 2010, ch. 6,7 [up to evolution of brain size], pp. 234-278) Honing (2013), pp. 1-86 |
3 |
Lecture 3a (Zuidema): Comparative biology of Computer lab: Phylogenetic Trees - genes, Tutor-groups |
Literature: Comparative biology of Honing & Ploeger (2012); Fitch (2010), ch |
4 |
Lecture 4a (Zuidema): Bouwstenen van taal Lecture 4b (Honing): Bouwstenen van muziek (NB: dit college is op maandag) [N.B. deze week geen computerlab] Tutor-groups Deadline first version extended abstract. |
Literature: Bouwstenen van taal (Fitch Savage et al. (2015) Both paper & |
5 |
Lecture 5a (Zuidema): Evolutionaire theorieen van taal Computer lab: Phylogenetic Trees Lecture 5b (Honing): Bouwstenen van muzikaliteit Deadline two peer reviews per student |
Literature: Language evolution theories (Fitch 2010, ch. 12, [pp 401-432]) Honing et al. (2015); Honing (2013), pp. 87-151 |
6 |
Lecture 6a (Zuidema): The story of FoxP2 Computer lab: rhythm Tutor-groups. Lecture 6b (Honing): Biologische basis van muzikaliteit Deadline final version extended abstract
|
Literature: Constraints on language Patel & Demorest (2013); Gingras et al. |
7 |
Miniconference (Student Presentations) |
|
8 | Exam |
Deze cursus draagt bij aan de volgende eindtermen van de opleiding Psychobiologie:
1) Kennis en Inzicht
De bachelor:
2) Toepassen Kennis en Inzicht
De bachelor:
3) Oordeelsvorming
De bachelor:
4) Communicatie
De bachelor:
5) Leervaardigheden
De bachelor: