6 EC
Semester 1, period 2
5244HMWM6Y
Research shows that all humans have a predisposition for music, just as they do for language. All of us can perceive and enjoy music, even if we can’t carry a tune and consider ourselves ‘unmusical’. This course offers interdisciplinary perspectives on the capacity to perceive, appreciate, and make music. A wide range of studies from biology, musicology, (cognitive) neuroscience, philosophy of science, genetics, computer science, psychology, and other fields consider what music is for and why every human culture has it, whether musicality is a uniquely human capacity, and what biological and cognitive mechanisms underlie it.
Each week focusses on a new topic. All topics are introduced in a two-hour lecture, followed by workgroups later in the week during which students discuss recent papers related to the topic. Some of the papers are common for all students, which we will prepare using Perusall. Each student will also choose one topic for which they will present an extra paper to further discussion, using the Pecha Kucha format.
The course closes with an essay elaborating on one of the key research questions. The core idea of the essay is that it could be read as advice for a future research agenda in music cognition or AI.
Articles supplied via Canvas
|
Activity |
Number of hours |
|
Lecture |
14 |
|
Workgroup |
14 |
|
Perusall |
40 |
|
Self-study |
100 |
Additional requirements for this course:
Students are expected to maintain 90% attendance (i.e., only one absence is allowed).
| Item and weight | Details |
|
Final grade |
The 'Regulations governing fraud and plagiarism for UvA students' applies to this course. This will be monitored carefully. Upon suspicion of fraud or plagiarism the Examinations Board of the programme will be informed. For the 'Regulations governing fraud and plagiarism for UvA students' see: www.student.uva.nl